|Model Name||FUJIFILM X-T20|
|Number of effective pixels||24.3 millions pixels|
|Image sensor||23.6mm x 15.6mm(APS-C)X-Trans CMOS III with primary color filter.|
|Storage media||SD Card (-2G) / SDHC Card (-32G) / SDXC Card (-256G) UHS-I*1|
|Number of recorded pixels||L: (3:2) 6000 x 4000 / (16:9) 6000 x 3376 / (1:1) 4000 x 4000|
M: (3:2) 4240 x 2832 / (16:9) 4240 x 2384 / (1:1) 2832 x 2832
S: (3:2) 3008 x 2000 / (16:9) 3008 x 1688 / (1:1) 2000 x 2000<Panorama>
L: 2160 x 9600 (Horizontal : 9600 x 1440)
M: 2160 x 6400 (Horizontal : 6400 x 1440)
|Lens mount||FUJIFILM X mount|
|Sensitivity||Standard Output Sensitivity : AUTO1 / AUTO2 / AUTO3(up to ISO12800) / ISO200 to 12800(1/3 EV step)|
Extended output sensitivity : ISO100 / 25600 / 51200
|Exposure control||TTL 256-zone metering, Multi / Spot / Average / Center Weighted|
|Exposure mode||P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure)|
|Exposure compensation||-5.0EV – +5.0EV, 1/3EV step|
(movie recording : -2.0EV – +2.0EV)
|Image Stabilizer||Supported with OIS type lenses|
|Shutter type||Focal Plane Shutter|
|Continuous shooting||Approx. 14.0 fps [Only Electronic Shutter](JPEG: 42 frames Lossless compression RAW: 23 frame Uncompressed RAW: 22 frames)|
Approx. 11.0 fps [Only Electronic Shutter](JPEG: 56 frames Lossless compression RAW: 24 frame Uncompressed RAW: 23 frames)
Approx. 8.0 fps (JPEG: 62 frames Lossless compression RAW: 25 frame Uncompressed RAW: 23 frames)
Approx. 5.0 fps (JPEG: 68 frames Lossless compression RAW: 28 frame Uncompressed RAW: 25 frames)
Approx. 4.0 fps (JPEG: 73 frames Lossless compression RAW: 29 frame Uncompressed RAW: 25 frames)
Approx. 3.0 fps (JPEG: 81 frames Lossless compression RAW: 32 frame Uncompressed RAW: 27 frames)
|Auto bracketing||AE Bracketing(±2EV / ±5/3EV / ±4/3EV / ±1EV / ±2/3EV / ±1/3EV)|
Film simulation bracketing(Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100% · 200% · 400%)
ISO sensitivity Bracketing (±1/3EV / ±2/3EV / ±1EV)
White Balance Bracketing (±1 / ±2 / ±3)
|White balance||Automatic scene recognition / Custom / Color temperature selection (K) / Preset : Daylight, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater|
|Self-timer||10sec. / 2sec.|
|Interval timer shooting||Yes (Setting : Interval, Number of shots, Starting time)|
|Flash||Manual pop-up flash (Super Intelligent Flash)|
Guide number : approx. 7 (ISO200 · m) / approx. 5 (ISO100 · m)
|Hot shoe||Yes (Dedicated TTL Flash compatible)|
|Viewfinder||0.39-in., approx. 2,360K-dot OLED color viewfinder, Coverage of viewing area vs. capturing area : approx. 100%|
Eye point : approx. 17.5mm ( from the rear end of the camera’s eyepiece), Diopter adjustment : -4m ~ +2m-1(dpt)
Magnification : 0.62x with 50mm lens(35mm format equivalent) at infinity and diopter set to -1m-1.
Diagonal angle of view : approx. 30°( Horizontal angle of view : approx. 25°) Built-in eye sensor
|LCD monitor||3.0-inch, aspect ratio 3:2,|
approx. 1040K-dot Tilt-type TFT color LCD monitor (approx. 100% coverage)
|Movie recording||[4K (3840×2160)] 29.97p / 25p / 24p / 23.98P, 100Mbps Continuous recording : up to approx. 10 min.|
[Full HD (1920×1080)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98P, 36Mbps Continuous recording : up to approx. 15 min.
[HD (1280×720)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98P, 18Mbps Continuous recording : up to approx. 30 min.
|Photography functions||Advanced SR AUTO, Face / Eye detection AF, Auto Red-eye Removal, Select custom setting, Panorama, Color space, Setting (Color, Sharpness, D-range, Highlight tone, Shadow tone), Framing guideline, Frame No. memory, Histogram display, Preview depth of focus, Lens Modulatioon Optimizer, Pre-AF, Focus check, Focus Peak Highlight, Digital Split Image™ *4, Electronic level, Multiple exposure, Release priority / Focus priority selection, Fn button setting , ISO AUTO control, Instant AF setting (AF-S/AF-C), AF-C CUSTOM SETTINGS , SHUTTER AF , SHUTTER AE , AF-ON , Interlock spot AE & Focus area, Focus area setting, AEL/AFL button setting, Edit/Save Quick menu, Preview exp./WB in manual mode, Shutter Type, Touch Screen Setting|
|Touch Screen Mode|
|Film Simulation mode||15 modes (PROVIA / Standard, Velvia / Vivid, ASTIA / Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black& White, Black& White+Ye Filter, Black& White+R Filter, Black& White+GFilter, Sepia, ACROS, ACROS+Ye Filter, ACROS＋R Filter, ACROS＋G Filter)|
|Grain Effect||STRONG , WEAK , OFF|
|Dynamic range setting||AUTO, 100%, 200%, 400%|
|Advanced filter||Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple)|
|Playback functions||RAW conversion, Image rotate, Auto image rotate, Face Detection, Red-eye removal, Photobook assist, Erase selected frames, Multi-frame playback (with micro thumbnail), Slide show, Protect, Crop, Resize, Panorama, Favorites|
|Wireless function||Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, PC Autosave, instax printer print|
|Other functions||Exif Print, 35 Languages, Date/Time, Time difference, Sound & Flash OFF, Performance Setting, Preview exp. in Manual mode, LCD Brightness, LCD Color, Preview Pic. Effect, DISP. Custom Setting , Copyright Setting|
|Power supply||NP-W126S Li-ion battery (included)|
|Dimensions||118.4mm (W) x 82.8mm (H) x 41.4mm (D) / 4.66in. (W) x 3.26in. (H) x 1.63in. (D)|
(Minimum Depth : 31.9mm / 1.3 in.)
|Weight||Approx. 383g / 13.5 oz. (including battery and memory card)|
Approx. 333g / 11.8 oz. (excluding accessories, battery and memory card)
|Operating Temperature||0°C – 40°C (+32°F – +104°F)C|
|Operating Humidity||10 – 80% (no condensation)|
|Starting up period||Approx 0.4sec.|
|Accessories included||Li-ion battery NP-W126S|
Battery charger BC-W126
Metal strap clip
Clip attaching tool
Isi Didalam Kotak :
- 1 x Fujifilm X-T20 Mirrorless Digital Camera with 16-50mm Lens (Black)
- 1 x Fujinon XC 16-50mm f/3.5-5.6 OIS II Lens (Black)
- 1 x Fujinon XC 50-230mm f/4.5-6.7 OIS II Lens (Black)
- 1 x NP-W126S Li-Ion Battery Pack
- 1 x BC-W126 Battery Charger
- 1 x Body Cap for Fujifilm X-Mount Cameras
- 1 x Shoulder Strap
- 1 x Metal Strap Clip
- 1 x Clip Attaching Tool
- 1 x Protective Cover
Ulasan Fujifilm XT 20 Kamer Digital Double Lens 16-50mm f/3.5-5.6 & 50-230mm f/4.5-6.7 :
Blending a familiar form factor with a heightened feature-set, the silver X-T20 from Fujifilm is a sleek mirrorless camera designed for multimedia shooters. Utilizing a 24.3MP APS-C X-Trans CMOS III sensor and X-Processor Pro image processor, high-resolution stills can be recorded with notable sharpness and clarity due to the sensor’s organic layout and omission of an optical low-pass filter. The sensor and processor combination also avails an extended sensitivity range to ISO 51200, a 14 fps continuous shooting rate when working with the electronic shutter, and the ability to record UHD 4K or Full HD 1080p video. When working with moving subjects, continuous autofocus performance has been optimized for improved moving subject tracking and overall accuracy, and Advanced SR Auto mode can also be used for fully automated shooting with intelligent scene recognition. Additionally, the retro-inspired camera body design incorporates a tilting 3.0″ 1.04m-dot touchscreen LCD as well as a 2.36m-dot electronic viewfinder, and physical dials are available for quickly and intuitively adjusting exposure and shooting settings.
Included with the X-T20 is the Fujinon XC 16-50mm f/3.5-5.6 OIS II lens, which covers wide-angle to portrait-length perspectives with its 24-76mm equivalent focal length range. Three aspherical elements and one extra-low dispersion element reduce aberrations and distortions throughout the zoom range and an optical image stabilization system compensates for up to 3.5 stops of camera shake to produce sharper, clearer imagery in low-light conditions.
24.3MP APS-C X-Trans CMOS III Sensor
Utilizing Fujifilm’s unique, randomized pixel array, the 24.3MP APS-C X-Trans CMOS III sensor affords a high degree of image quality and sharpness due to the omission of an optical low-pass filter. Versus conventional pixel patterns, the X-Trans design more closely mimics the organic nature of film in order to produce nuanced colors and smooth tonal transitions, while also reducing moiré and aliasing.
Aside from benefitting the low-light performance with an expandable sensitivity range to ISO 51200, the X-Processor Pro also contributes to fast performance throughout the camera system, including a start-up time of 0.4 seconds, shutter lag time of 0.05 seconds, shooting interval time of 0.25 seconds, and a continuous shoot rate of 14 fps when working with an electronic shutter, or 8 fps with a mechanical shutter.
UHD 4K and Full HD Video
Accessible via the drive dial on the top plate, the X-T20 supports both recording in both UHD 4K/30p and Full HD 1080/60p resolutions. Film Simulation modes can be used during recording to give a distinct look to footage, and video can also be output via HDMI to an external recorder or monitor, and a mic jack is featured for working with an external microphone.
- The rear 3.0″ 1.04m-dot LCD touchscreen allows for intuitive operation, focus point selection, and menu navigation, and its tilting design benefits working from high and low angles.
- High-resolution 2.36m-dot electronic viewfinder allows for bright, clear eye-level monitoring with a frame rate of 54.54 fps for smooth monitoring in a range of lighting conditions.
- Dedicated shutter speed, drive mode, and exposure compensation dials for direct, intuitive control over exposure and shooting settings.
- The physical exposure compensation dial now features a C position to permit an expanded +/- 5 EV range when working with the control dials.
- Built-in Wi-Fi allows for direct wireless sharing of files as well as remote camera control from a linked mobile device.
- Built-in pop-up flash is available for additional illumination, and a hot shoe is featured for working with an optional external flash.
91-Point Autofocus System
Utilizing both contrast- and phase-detection methods, the hybrid autofocus system employs 91 total points, which can be divided into 325 total areas for a high degree of focusing accuracy in a variety of lighting conditions. Approximately 50% side-to-side and 75% top-to-bottom of the frame is covered by phase-detection points in order to provide fast AF performance to suit working with moving subjects.
When working with autofocus, you can choose either single-shot AF-S mode or continuous AF-C mode, and each can be used in conjunction with Single Point AF, Zone AF, or Wide/Tracking AF settings. Additionally, AF-C Custom Settings let you choose from five AF-C presets depending on how your subject is moving, and the AF algorithm has been optimized for improved subject tracking and overall accuracy.
Film Simulation Modes
Taking advantage of Fujifilm’s vast history in traditional film-based photography, the X-T20 integrates several Film Simulation modes, which can be used for photos or videos, to mimic the look and feel of some Fujifilm’s classic film types. A refined Classic Chrome mode is designed to deliver muted tones and a deep color reproduction, similar to that of a dated slide film. Pulling from their more contemporary line of transparency films, Provia offers natural-looking tones for everyday shooting, Velvia produces a more dramatic and rich tonality with deeper color saturation, and Astia gives less contrast for a softer depiction of skin tones. Mimicking their negative films, Pro Neg. Std. gives smooth image tones that are suitable for accurate color renditions, while Pro Neg. Hi produces a more dramatic feel with the ability to draw color out of a variety of lighting conditions. In addition to the colorful benefits of these Film Simulation modes, there are also monochrome modes that simulate the look of traditional yellow, green, and red black and white contrast filters, as well as an Acros mode that can also be paired with colored filter effects. A sepia mode is also available for producing an inherently nostalgic look.
Fujinon XC 16-50mm f/3.5-5.6 OIS II Lens
Included with the camera body is the Fujinon XC 16-50mm f/3.5-5.6 OIS II lens; a versatile standard zoom providing a 24-76mm equivalent focal length range to suit working in a wide variety of situations. The all-glass, 12-elements-in-10-groups construction incorporates three aspherical elements and one extra-low dispersion element to minimize chromatic aberrations throughout the zoom range for greater clarity, sharpness, and color fidelity. Additionally, this lens integrates a 3.5-stop-effective optical image stabilization system to compensate for the effects of camera shake to render sharper imagery in difficult lighting conditions. The lens also features seven rounded aperture blades to produce a smooth out-of-focus quality when using selective focus and shallow depth of field techniques.
Other Camera Features
- Advanced SR Auto mode can be used for fully automatic shooting with scene recognition to permit on-the-fly shooting in a variety of settings.
- Interval Timer shooting lets you record an infinite number of consecutive frames with 1 second to 24 hour intervals, and a 1 minute to 24 hour starting delay.
- Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
- In-camera 180° panoramas can be shot by simply panning the camera about the scene.
- Advanced Filters: Toy Camera, Dynamic Tone, Miniature, High Key, Soft Focus, Pop Color, Low Key, and Partial Color (Red, Orange, Yellow, Green, Blue, and Purple).